“1985 : The Axis Group Creates Mural at Asilah, Morocco.” In Chronicle of the 1980s: Representational Pressures, Departures, and Beginnings in the Arab World, Iran, and Turkey, eds. Anneka Lenssen, Sarah Rogers et Nada Shabout, Cairo, AUC Press, (exp. 2026).

Contributor in the documentary D’Istanbul au Caire, mille manières d’être moderne, produced by Ilana Navaro (cowritten with Karim Miské), Arte, 2025.

https://www.arte.tv/en/videos/RC-026858/from-istanbul-to-cairo-stories-of-modern-art/

“Roots and Routes : The Journey of Two Egyptian Artists in Paris and Beyond.” Unpublished PhD Dissetation, Akademie der bildenden Künste Wien, 2025.

“Explorer Les Thèmes de l’Art Moderne Égyptien.” Association Culturelle Egypto-Suisse. Lecture presented at the Association Culturelle Egypto-Suisse, April 10, 2025.

“L’Académie Lhote : un rite de passage.” In Monaco – Alexandrie : Le Grand Détour : Villes-Mondes & Surréalisme Cosmopolite, eds. Morad Montazami and Madeleine de Colnet, Lyon, Zamân Books & Curating and Nouveau Musée National de Monaco, 2021, pp. 67–79.

“La Passion de Samir Rafi pour le Purisme et son Séjour en Algérie”. Dans Monaco – Alexandrie : Le Grand Détour : Villes-Mondes & Surréalisme Cosmopolite, sous la direction de Morad Montazami et Madeleine de Colnet, Lyon, Zamân Books & Curating et Nouveau Musée National de Monaco, 2021, pp. 89–92.

“André Lhote and Egypt.” In André Lhote and his International Students, eds. Zeynep Kuban and Simone Wille, Innsbruck University Press, 2020, pp. 171–187.

https://www.uibk.ac.at/iup/buch_pdfs/9783903187788.pdf

“Can the Subaltern Finally Speak ?” Jadaliyya, 21 Dec. 2017.

https://www.jadaliyya.com/Details/34893

Contributor and editor, Eternal Light : Something Old, Something New, exhibition (Art d’Égypte, the Egyptian Museum in Cairo), October 2017.

“From “Islamic Art” to “Arab Lands, Turkey, Iran, Central Asia and Later South Asia” : Reliving the Distortions of History.” Jadaliyya, 30 Apr. 2013.

https://www.jadaliyya.com/Details/28508

“Islamic Art in the Museum : A Re-Introduction and a Re-Presentation.” Master’s Thesis. The School of the Art Institute of Chicago, 2012.